HomeMy WebLinkAboutLA Theater Works (2) AGREEMENT FOR ARTISTIC SERVICE
THIS AGREEMENT is made and entered into this. 10 _ day of M 2012, by and between the
City of Auburn,Washington (PRESENTER), a Municipal Corporation of the State of Washington herein
referred to as"CITY"and LA Theater Works. whose contact information is,681 Venice Boulevard,
Venice, CA 90291, herein referred to as"ARTIST" and Baylin Artists Management whose contact
information is 721 Hyde Park, Doylestown, PA 18902, herein referred to as"AGENT"
WHEREAS, the CITY desires to contract with the ARTIST to provide a performance
(performances)for the public in Auburn, Washington; and
WHEREAS, the ARTIST has agreed to perform the work in compliance with the terms and
conditions of this Agreement;
NOW THEREFORE, the CITY and ARTIST in consideration of the conditions and covenants
herein do agree as follows:
1. RETENTION OF ARTIST The CITY does hereby retain the ARTIST to perform the work and
services described herein. The parties agree that the ARTIST is an independent contractor and shall
furnish all supervision, labor, and all other incidentals except as specifically provided herein and the
ARTIST agrees to conduct and complete the performance in a competent and professional manner in
accordance with the terms of this Agreement.
2. SCOPE OF WORK. The ARTIST agrees to provide the following specific services:
Saturday, February 9, 2013, 7:30 pm. One (1) performance of Pride and Prejudice (90-120 minutes,
plus intermission). One(1)talk back immediately following the performance.
3. SITE OF PERFORMANCE: The ARTIST will conduct its performance at the AUBURN
PERFORMING ARTS CENTER,700 E. MAIN ST (NOTE:Venue is NOT the presenter!) herein referred
to as"VENUE"
4. REQUIREMENTS
a. The CITY shall provide the following for this performance: Promotion of performance
and performance programs; Box office management and staffing; Ushers and front-of-house
staffing (not incl. merchandise sales -Reference-Item 7-C.below).
b. The ARTIST shall provide the following for the performance: Provide scores and
parts for the company and pay all fees (if any) associated with public performance of music;
Engage and rehearse the company; Provide program content, biographies, and optional
photographs of key production staff and artists for performance program and public relations
materials with the execution of this contract; Additional promotion of event as negotiated with
CITY
C. Technical Requirements: The CITY shall provide the following technical assistance for
this performance: The CITY will assist with coordination of technical services between the
VENUE and the ARTIST The CITY agrees to provide, through the VENUE, technical labor for
this production, as detailed in the ARTISTS's Technical rider(See Addendum) and as-approved
by the technical director of the VENUE and the ARTIST
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BRAVO 2012-13 Season
Agreement—LA Theater Works: Pride and Pre7'udice
Page 1 of 4
�o�,tww roouum
S. COMPENSATION
a. ARTIST Fee: In consideration of the services to the CITY in connection with the ARTIST
scope of work(performance),the ARTIST shall receive total compensation of$18,000.
b. Complimentary Company Tickets: The ARTIST shall be provided up to Ten (10)
complimentary tickets for the performance. The ARTIST may request tickets in advance or
provide the CITY box office representative with a guest list 30 min. prior to the performance.
C. Hotel Accommodation: 12 single hotel rooms for February 8 and February 9, 2013 plus
local ground transportation to/from hotel, airport, venue.
6. PAYMENT SCHEDULE
The ARTIST shall be paid as outlined in Item 5 above by the CITY for the completed work and
performance in compliance with the terms of this Agreement. Such payment shall be full
compensation for all work performed and services rendered under the terms of this Agreement.
The payment to the ARTIST shall be in compliance with the regulations of the CITY Finance
Department. The ARTIST agrees to be responsible for payment of any and all taxes,which may
be due as-a result of performance under this contract.
a. Deposit of$2800 will be sent to Baylin Artists Management Inc. herein referred to as
"AGENT" within 30 days of the execution of this contract, per compliance with the regulations of
the CITY Finance Department.
c. Balance of$15200 will be delivered to the ARTIST's company manager or his/her designee
immediately following the performance. The payment to the ARTIST shall be in compliance with
the regulations of the CITY Finance bepartment. The ARTIST agrees to be responsible for
payment of any and all taxes, which may be due as a result of performance under this contract.
7 PROMOTIONAL RESPONSIBILITIES
a. Promotional materials shall be mutually agreed upon between the CITY , ARTIST, and
AGENT
b. The ARTIST assumes sole and total responsibility for all of ARTIST Merchandise
Concessions, if any, including inventory, cash bank, credit card supplies and sales
oersonnel. ARTIST maintains 100%of total sales receipts of ARTIST Merchandise. The
CITY and/or VENUE will provide (1) table in the lobby of the VENUE for Merchandise
Sales. If ARTIST cannot provide sales personnel, the CITY will provide up to two
volunteer personnel..ARTIST and/or AGENT must sign a waiver releasing the CITY of
any liability regarding the sale of merchandise.
8. INDEMNIFICATION
The ARTIST agrees to indemnify, defend and hold the CITY, its AGENTS, representatives and
employees harmless from and against any and all claims, causes of action or'demands or any
form of liability of any nature including, but not limited to any copyright infringements for musical
performances, arising out of the performance and obligations contained in this Agreement on the
part of the ARTIST , its AGENTS, representatives and employees except where such claims arise
solely from the negligent acts of the CITY, its AGENTS, representatives or employees.
9. INABILITY TO PERFORM
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BRAVO 2012-13 Season
Agreement—LA Theater Works: Pride and Prejudice
Page 2 of 4
If ARTIST is incapacitated from rendering services through sickness or otherwise, or if ARTIST
cannot perform because of fire, accident, act of God or impossibility of performance, through no
fault of the CITY, the performance(s) (Item 2: Scope of Work) shall be rescheduled at a mutually
agreed upon date to occur not more than 12 months following the date of the initially scheduled
performance, either at the same VENUE as initially scheduled or at another comparable venue
available to the CITY for such performance. If the performance cannot be rescheduled within that
period, 100%of Deposit(Item 6. Payment Schedule) paid to ARTIST shall be returned to CITY
If the ARTIST services cannot proceed through some fault of the CITY due to causes other than
fire, accident, act of God or impossibility of performance, the CITY shall reschedule the ARTIST
services on a mutually agreed upon date between CITY and ARTIST and either at the same
VENUE as initially scheduled or at another comparable venue available to the CITY for such
performance.
10. TERMINATION
In the event the ARTIST or the CITY defaults or fails to comply with any of the requirements of
this Agreement, or any obligations hereunder, the CITY may at its option terminate the
Agreement. Such remedies shall be in addition to any other right or remedy each may have.
11. NOTICES
Any notice required or permitted under this Agreement may be personally served, or given in
writing, and shall be deemed sufficiently given or served if sent by registered or certified mail
addressed to the respective parties as follows:
CITY Maija McKnight,Arts Coordinator
City of Auburn Parks, Arts& Recreation
910 Ninth Street SE
Auburn, WA 98002
253-931-3043 1 mmcknight @auburnwa.gov
AGENT Baylin Artists Management
721 Hyde Park
Doylestown, PA 18902
Tel: 267-880-3750 Fax: 267-880-3757
www.baylinariists.com
i Kostisnion0bawinantsts.com
(Lynne Kostishion, contracts manager)
Tax Id: 23-3063818
ARTIST L.A. Theatre Works
Susan Loewenberg
681 Venice Boulevard, Venice, CA 90291
310-827-0808
www.latw.org
Either party may at any time designate a different address to which notices shall be sent. Notice
given in accordance with these provisions shall be deemed received when mailed.
12. GENERAL PROVISIONS
The following provisions may apply-
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BRAVO 2012-13 Season
Agreement-LA Theater Works: Pride and Prejudice
Page 3 of 4
VQ�TNAN Yoh uuG1IJE0
A. No waiver by either party of any breach or default hereunder shall be deemed a waiver of
any preceding or any subsequent breach or default.
B. This Agreement may not be changed or modified nor any provision hereof waived except
in writing agreed to by both parties.
C. This Agreement shall be construed in accordance with and all questions with respect
hereto shall be determined by the laws of the State of Washington.
D The ARTIST agrees to pay all reasonable costs,.attorney's fees and expenses that may
be incurred by the CITY in enforcing the provisions of this Agreement.
E. In the performance of the work herein, the ARTIST agrees to comply with all,applicable
State and local laws, rules and regulations.
AGENT
Marc Y. Baylin, President
Baylin Artists Management, Inc.
Agent TAX ID#- 23-3063818
51ad1�, - -
DATE
ITY O UR
J
PETER B. LEWIS, MAYOR
MAY 21 2012
DATE
A EST
Dan i-el le Daskam
CITY Clerk
APPRO A R
Dan'
C ttorney
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BRAVO 2012-13 Season
Agreement-LA Theater Works: Pride and Prejudice
Page 4 of 4
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Technical Requirements
Pride & Prejudice
2012-2013 Production
PRESENTER'S VENUE INFORMATION:
Presenter is required to attach all pertinent information regarding the facility in which the
show will be performed. This shall include type of venue, stage size, etc.
NOTE. Included in this information packet, you MUST provide the name, address,
location, and route from the theatre to the nearest Emergency Medical Facility, as well as
posting this information next to the telephone nearest the stage manager's running
position.
CREW REQUIREMENTS:
The following list includes Department Heads in the total number of qualified and
professional stagehands, required for presentation of the production, and should be
considered a guide for the Presenter, as to the minimum number of crew required. All
crewmembers should be familiar with the Venue, as well as knowledgeable of current
theatrical terms, equipment, conditions, and safety requirements. If Presenter's contract
with a local crew requires other than what is specified herein, or is obligated under any
contract or binding agreement as such, please contact the Baylin Artists Management
office, and include a copy of the local crew contract with the facility information packet
or questionnaire. If Presenter fails to provide qualified crew who are familiar with the
venue, L.A. Theatre Works will endeavor to find suitable replacement crewinember and
any additional expense incurred as a result of this search shall be borne solely by
Presenter.
Call times for tech and shows vary based on schedule and will be specified in itineraries
forwarded to venue by Baylin Artists Management.
Two (2) Wardrobe assistants available when Company arrives for tech to handle
costume laundry, steaming, ironing, and repairs as needed for Company, during show for
costume changes, and available for one hour after the show to help with costume
collection and cleaning. Washer and dryer located on the premises. If there is a washer
and dryer, wardrobe will be asked to wash and dry any items as requested by the stage
manager(s)during the strike and will pack the clothing for the stage manager(s).
Two (2) Stagehands in stage blacks, one stage right, one stage left. May be called upon
to assist with costume quick changes
One(1) light board operator
One(1)sound engineer
9/11 Pride and Prejudice Tech Rider Page 1 of 5
Company Load In/Tech Show Call Load Out
8 hours prior to curtain 1 1/2 hours_prior to curtain 1 hour).
Electrics 1 (board o 1 and o
Stagehands 2 2 2
Sound 1 board o 1 board o
Wardrobe 2 2 2
TOTAL 16 16 14
LIGHTING
All instrumentation should be adjusted, within reason, according to the specifics of the
venue. What is required is an even front light system, with separate control into three
basic areas; stage left, center stage, and stage right. The Front, side, and down light
systems should cover the entire playing area EXCEPT FOR THE FOLEY TABLE. In an
ideal situation, the Foley table will not be hit by any of the area light so that it can be lit
separately with its owm specials.
Please provide all color and templates unless specifically noted. Color substitutions may
be made with prior approval.
LATW will provide plot and paperwork with color and template information minimum
one week prior to performance at venue.
Systems:
All color and templates tbd.
a)Front light wash from left of Ellipsoidals/lekos
b) Front light wash from right of Ellipsoidals/lekos
c)Back/Down light wash of PARS
e)High-side/pipe-end wash of Ellipsoidals/lekos from SL
g) High-side/pipe-end wash of Ellipsoidals/lekos from SR
Specials:
• Two(2) front of house specials with color tbd
• Three(3) above stage specials,position and color tbd.
Cyclorama lighting:
• Full lighting for cyclorama with three colors: tbd.
• Preference would be to have separate control of top and bottom of cyc colors.
A plot, cue-sheet, and paperwork will follow. Any question should be directed in
advance to LATW's Technical Director. Finally, the plot will be just a guide as larger
venues require more units to "fill the space"
In addition, inventory shall include all necessary lamps, cable, dimmers, gels, templates
and other such lighting equipment necessary for a theatrical presentation in your theatre,
to our reasonable specifications.
IMPORTANT! The lighting MUST be hung, cabled, colored, focused and pre-
programmed according to the final lighting information that will be sent at least one week
prior to the company's arrival.
9111 Pride and Prejudice Tech Rider Page 2 of 5
SOUND
• Venue must provide the following equipment. Equipment recommendations are
listed within(). Best substitute if not available.
Mixboard
• 16 Channel Mixer with phantom power, compression and effects to be located in
house if possible.
PA.System
e Speaker clusters or in-house sound that is appropriate for the size of the hall A
power amplifier based on the size of the room. Parametric or Standard EQ.
Outboard Gear and Production Equipment
• 1 CD Player(Denon Rackmount)
• Control booth for lightboard op (and SM and sound board op if sound is not in the
house)with intercom to backstage area/dressing rooms.
• Clearcom or RTS comm. System consisting of
• Three (3) wired or wireless in booth for SM, Sound op, Light op (2 at
sound console if in house)
• Two(2)wired or wireless backstage for stagehands
• All cables for connectivity of production to main sound board.
Stage Managemer will be calling show from Sound position. Please provide table space
for laptop, prompt book, and di-box. Also provide VOG mic, light, and Edison outlet at
this position.
Sound Equipment For Stage
• Twelve (12)dynamic inics (Shure SM58 or equivalent)with wind screens
• One(1) dynamic Cardioid Mic with shockmount(Sennheiser 421 or equivalent)
• Thirteen(13) mic stands (AKG or equivalent)with boom arms.
• Four (4) small floor monitors for actors (JBL or equivalent) downstage 3
receiving vocals and foley mix; foley receiving just foley mix
NOTE. If your local NPR station is recording the performance, they need to provide all
appropriate mics &equipment. If not,then the Venue provides all of the above.
Sound Props for Stage on Table
q One(1) large book(dictionary, encyclopedia or phone book)for dropping.
• Two (2) glass drinking glasses (lowball preferred)
PLAYING AREA
A level playing area at least 30 feet x 30 feet(not including wing space)will be used. The
stage floor must be clean, in good repair and free of any markings, spikes or other
blemishes. The stage floor should be of wood construction, preferably a "sprung floor",
but cannot be constructed of either poured, or slab concrete. If the Venue contains a
hydraulic, or otherwise removable orchestra pit, it should be secured in a position level
with the stage floor, and/or covered, and can be included in the total depth of the stage
only as a portion of the apron.
9/11 Pride and Prejudice Tech Rider Page 3 of 5
STAGING
GENERAL NOTE ON FURNITURE. The pieces should be polished and in good shape.
Dark elegant woods would work well. Specifics follow-
For entire show:
• Four(4) Wood chairs-matching. (interior home) ` d
• Six (6) (Ballroom chairs)
• Two (2)Round tables with tablecloth- "Ballroom Tables"
e One(1)black orchestra chair. (Foley) fro
• Two (2)wooden barstools
• Two(214' x 8' platforms- 8 "high - Y.WRQ9;�—q 15- 4'x 9' aVJ0-U b lf/
• Three(3)4' x 4' platforms- 8"high - &&o wof In w&)
• One (1)bench- "park bench"large enough for Two (2) actors to sit on.
• One(1)small coffee table
• One(1)Wood 4' square table(dining table)
• One(1) 6' Foley table(regular folding table okay) covered with black duvetyn
• Appropriate masking, legs and borders
• Black Drape hung far enough upstage of USC platform as not to be hit by special
lighting, at least 6' from fogey chair.
• Backstage: Eight(8)padded chairs backstage(4 in each wing, along with a couple
of reading lights,and bottled water.)
• Backstage: SR-One(1) 6 ft folding table for prop storage.
Furniture will be shifted during interval.
Note: Please provide LATW Technical Director with digital photos of chosen furniture
no later than one (1)week prior to arrival.
WARDROBE.
We require two backstage wardrobe persons who shall perform as needed laundry and
light maintenance & some stitching(steaming,pressing, and repair). The Presenter
should provide a professional steamer,ironing equipment(such as ironing board&iron),
laundry supplies(detergent, fabric softener, Febreze etc.), and needle, scissors, and
various color thread. During show, wardrobe assistants will assist with quick changes on
both stage right and stage left- ideally one (1)male and one (1) female wardrobe assistan
would be provided.
DRESSING ROOMS:
We require at least two clean, secured dressing rooms for 12 people that are lockable for
The Compan . resen e . Each of the
dressing rooms must be equipped with at least 12 fresh towels, 1 box of Kleenex, hand
soap, one trashcan; a working sink (with hot and cold water) and toilet. if possible-e-
. In addition, we require at least one sanitary sleeping cot
or couch. Also, make-up lights, mirrors, tables, chairs, costume rack. Company must
have uninterrupted access to dressing rooms throughout the duration of the performance
9/11 Pride and Prejudice Tech Rider Page 4 of 5
day, at least six hours prior to the performance and two hours following each
performance.
BACKSTAGE ACCESS:
Presenting Organization agrees to restrict backstage access to LATW company members
and guests and venue's staff and crew.
FRONT OF HOUSE
Please notify Baylin Artists Management regarding front lobby display capabilities.
Company will be carrying a flexible, laminated,billing poster to be displayed.
HOSPITALITY
Venue is to provide the following backstage hospitality for twelve (12) people to be in
place five (5)hours prior to each performance and remain in place until one (1)hour after
each performance.
• A selection of fruit juices and sodas (diet and regular)
• At least two (2)dozen individual bottles of drinking water
• Coffee with milk, sugar and honey served on the side.
• Hot water and tea bags (including herbal teas)
• Fresh fruit and vegetables
• A selection of breads and bagels and condiments (peanut butter, jelly, cream
cheese, etc.)
Venue must provide a catered, hot meal two (2) hours prior to performance to be served
in the theatre in an appropriate room. Acceptable dishes include chicken, fish and pasta.
No spicy foods or heavy cream sauces. Steamed vegetables, fresh fruits, rolls, dessert
choices, etc should also he provided.
A vegetarian dish(such as pasta)must be included in addition to a regular non-vegetarian
hot meal selection. Vegan meals and other special requirements must be provided upon
request.
Teehni al Signature
The c cal t ' required to review and sign the technical rider.
X X A /&I l/ f�,�G�C.�u�
V ue Director Local enting Organizatio
X X J /
Marc J.Baylin,Baylin Artists Management Inc. utho ' ed Signatory,L.A. Theatre Works
BAYLIN
ARTISTS MANAGEMENT
{1 96 West Ashland Street u Suite 201 o Doylestown, PA 18901 a 0.267-880-3750 o f.267-880-3757 o www.baylinartists.com}
9/11 Pride and Prejudice Tech Rider Page 5 of 5
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GROUND TRANSPORTATION RIDER
Pride & Prejudice
2012-2013
L.A. Theatre Works may require up to three (3) 15-passenger vans or
equivalent motorcoach for a group of twelve (12)people plus luggage (approx 30
checked luggage bags and personal carry-ons). It is strongly recommended that 1 van is a
cargo-type van or has seats removed for luggage storage.
IMRURS� -FaL Rt5i" r}i 1u 017 RCcUtR&D Vhf"ICLC� b
Schedule visits from play Director, Writer or Executive Producer must be provided
transportation.
Presenting organization must provide, if requested, round-trip ground transportation, with
drivers included, from the airport to the hotel and from hotel to venue for all
performances,rehearsals, residency activities, load-in, etc.
Please list the airports and the approximate distance and time from airport to venue.
Airport Distance/Time
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Pr nting v Organizat on
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Authorized gignatory
L.A. Works
X
arc J Baylin,President
Baylin Artists Management Inc.
JBAYLIN }
ARTISTS MANAGEMENT
{196 West Ashland Street a Suite 201 o Doylestown, PA 18901 a p.267-880-3750 o f.267-880-3757 o.www.baylinartsts.com}
09/11 Page 1 of 1
HOTEL RIDER
Pride & Prejudice — 2012-2013
The ensemble is to be accommodated with 12—room* count to be confirmed between Presenter and Producer prior to the
hotel booking-- single non-smoking rooms in a top quality hotel with a restaurant, room service available and an exercise
room and/or indoor pool if possible. Additional accommodation must be provided for scheduled appearances from play
Director, Writer or Executive Producer.
Established upper-level chain hotels such as Marriott, Sheraton, Hilton, Hyatt, Radisson, Wyndham, etc. are acceptable.
Lower-level hotels operated by these chains are not acceptable. No motels or motor lodges. Hotels should have rooms off
interior halls (no rooms opening to parking lots or swimming pools). Should no upper-level acceptable chains be
available within the venue area, Inns and Bed & Breakfast accommodations with modern business facilities (Internet
access, fax, long distance phone capability etc.) and private bathrooms are acceptable. L.A. Theatre Works requires pre-
approval on all accommodations. L.A. Theatre Works must be provided with the acceptable hotel name no later than 60
days before the I'scheduled performance.
Hotel reservations should enable early check-in at 12pm, should the normal hotel check-in time be after 12pm. Other
special check-in accommodations may be subject to Producer travel schedule and arrival time. Hotel reservations should
enable late check-out,subject to Producer travel schedule'and departure time.
The hotel should be within walking distance to venue,or no more than a 15 minute drive whenever possible. Hotels must
also be close to restaurants open late as well as within walking distance to movie theatres, shops,etc.
*NOTE. Total number of rooms needed equals 12 multiplied by the total nights listed on the face of the contract. The
number of rooms will be spread out over those nights, not always equaling 12 per night but not exceeding the total
number. Breakdown of rooms needed per night to be supplied by Baylin Artists Management at least 15 days prior to
performance.
Presenter-please complete: We will accommodate the company in
t 00 � Inn phone
Hotel Name
dne, -- I(a4-h Styeef NF , Aub,,.vh (,uf �fS00
Hotel Address
Drive time from this hotel to our venue is PVt( h,u-If
X
cal Prese& Organization
IBAYLIN I
ARTISTS MANAGEMENT
(196 West Ashland Street o Suite 201 a Doylestown, PA 18901 a p.267-880-3750 c f.267-880-3757 0 www.baylinarlists.com)
09/11
C94
L.A. Theatre Works
Public Radio Addendum
Lk Theatre Works(LATW)'grafii perml i i siiidn to the presenting organization's local
1p6iicrad*to
station to record the performance for a one(1)time,non-commercial
..broadcast. This broadcast must Wee place Within thirty(30)days following the
"Performance(s).
tza.
Presenting organization or public radio station must provide all necessary equipment and
opertlaiiig personnel for recording purposcs.
446i6:Siiritilcasts are not permitted.
IM&sefitfing Organization is having local public radio station record,please complete the
following wing information below:
Name of Local Station and call numbers; 0(4
Local Station's contact information:
Contaefs Name >'y T ies e
Radio Station's address
Radio Station's phone number IZO C(C6 Jos
%
Radio Station's wcbsite it,
A-9-VIC) Har_xt,�s6O
(rn tx,r
x 20Z0(, (.Olt,
r6senti `.'Orgen'zatibh
!J i
BAYLIN
AXI'lSISMANAGEMIM
(198 West Ashland Street v Suite 201 D(Joylestown, PA 18901'iip.267-860-.3760cf.267-880-3767u%wwbaylinarUsts.com)
08/11
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LA Theatre Works
Program Copy Addendum
M Date: LA 2/9!2013
Baylin Artists Management*111 furnish or cause to be furnished one(1)copy of program information in clean end
readable form for resetting and/be duplication by the Presenting Organization at organization's own expense,for the
performance: Pragrain notes will be provided,if available,as a courtesy but not as an obligation.
Program Contact:
Name:
Phone; rJ-53 954
Fax: OOS
E-mail: YV�Wl4 vL �vf Ctxl�YlWe—,
Preferred Program Delivery: one) t
E tr�attachment CD/Disc
(*Note: E-mail attac s a Microsoft Wo rd document.)
Baylin Artists Management'must approve ANY changes to the program copy.
BEFORE it goes to print,the final proof must be sent to Baylin Artists Management via fax or
(*Note:E-mail attacluffad must be sent as a Microsoft Word document.) P O F
Presenting Organization agrees to include in program that the Artist is re entail by Baylin Artists Management Inc.,
196 West Asbland Street,Suite 2010 Doylestown,PA 18901.
General Program Copy will be seat as soon as it is available. Cast bins will be sent upon confirmation of cast 15
days prior to performance date..
Thank you.
JBAYLIN
ARTISTS MANAGEMENT
{721 Hyde Park■Doylestovin. PA 18902 a p.267-880.3750.1.267-880-3757 o www.bayllnartlsts.comI