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Home My WebLink About10-07-2025 Agenda Arts Commission * * Regular Meeting CITY OF * October 7, 2025 - 4:30 PM UBt._J � �T Postmark Center for Arts 1�1 �I 20 Auburn Ave WASHINGTON AGENDA CALL TO ORDER PUBLIC PARTICIPATION A. The Arts Commission Meeting scheduled for Tuesday, October 7, 2025 at 4:30 p.m. will be held in person and virtually. In-Person meeting location: Postmark Center for the Arts 20 Auburn Avenue, Auburn, WA 98002 ZOOM Participation Link: https://us06web.zoom.us/j/84306364562 Meeting ID: 843 0636 4562 One tap mobile +12532050468„84306364562# US +12532158782„84306364562# US (Tacoma) ROLL CALL AGENDA MODIFICATIONS AUDIENCE PARTICIPATION A. The public can participate in-person or submit written comments in advance. Participants can submit written comments via mail, fax, or email. All written comments must be received prior to 5:00 p.m. on the day before the scheduled meeting and must be 350 words or less. Please mail written comments to: City of Auburn Attn: Allison Hyde, Arts Program Supervisor 25 W Main St Auburn, WA 98001 Please fax written comments to: Attn: Allison Hyde, Arts Program Supervisor Fax number: 253-931-4005 Email written comments to: ahyde@auburnwa.gov If an individual requires accommodation to allow for remote oral comment because of a difficulty Page 1 of 43 attending a meeting of the governing body, the City requests notice of the need for accommodation by 5:00 p.m. on the day before the scheduled meeting. Participants can request accommodation to be able to provide a remote oral comment by contacting the Parks, Arts and Recreation Department in person, by phone (253) 931-3043, or by email (ahyde@auburnwa.gov). APPROVAL OF MINUTES A. Approval of August 5, 2025 Minutes ANNOUNCEMENTS, REPORTS, AND PRESENTATIONS A. 2026 Auburn Galleries and Site-Specific Galleries Presentation DISCUSSION ITEMS A. Brief Update - Downtown Public Art Project B. Art Commission Members End of Terms ADJOURNMENT Agendas and minutes are available to the public at the City Clerk's Office and on the City website (http://www.auburnwa.aov). Page 2 of 43 CITY OF J\iJBIJIIF4 AGENDA BILL APPROVAL FORM WASHINGTON Agenda Subject: Meeting Date: Approval of August 5, 2025 Minutes October 7, 2025 Department: Attachments: Budget Impact: Parks, Arts & Recreation 07.05.25 AAC Minutes Administrative Recommendation: Background for Motion: Background Summary: Councilmember: Staff: Page 3 of 43 Arts Commission * Regular Meeting A1JBURN F * August 5, 2025 - 4:30 PM 20 Auburn Ave WASHINGTON MINUTES CALL TO ORDER Vice Chair Trisenda Mayfield called the meeting to order at 4:34PM. PUBLIC PARTICIPATION A. The Arts Commission Meeting scheduled for Tuesday, August 5, 2025 at 4:30 p.m. was held in person and virtually. ROLL CALL Present: Andrea Dailey, Dr. Carol Crawford Danner, Kristine De Leon, Tammy Dwight, John Harris, Amber Lott, Trisenda Mayfield, Tori Olsen, Rocky Salvador, Carol Smetheram Excused: Ann Marie Natali, Dinah Rau Unexcused: N/A Staff: Allison Hyde, Arts Program Supervisor; Amanda Jenkinson, Arts Assistant ; Alexandra Mojica, Arts Assistant Guests: N/A AGENDA MODIFICATIONS There were no agenda modifications. AUDIENCE PARTICIPATION A. The public can participate in-person or submit written comments in advance. Participants can submit written comments via mail, fax, or email. All written comments must be received prior to 5:00 p.m. on the day before the scheduled meeting and must be 350 words or less. Please mail written comments to: City of Auburn Attn: Allison Hyde, Arts Program Supervisor 25 W Main St Page 4 of 43 Auburn, WA 98001 Please fax written comments to: Attn: Allison Hyde, Arts Program Supervisor Fax number: 253-931-4005 Email written comments to: ahyde@auburnwa.gov If an individual requires accommodation to allow for remote oral comment because of a difficulty attending a meeting of the governing body, the City requests notice of the need for accommodation by 5:00 p.m. on the day before the scheduled meeting. Participants can request accommodation to be able to provide a remote oral comment by contacting the Parks, Arts and Recreation Department in person, by phone (253) 931-3043, or by email (ahyde@auburnwa.gov). APPROVAL OF MINUTES A. Approval of June 3, 2025 Minutes Commissioners are asked to review minutes for the June 3, 2025 meeting. Commissioner Rocky Salvador moved that the minutes be accepted as written. Commissioner John Harris seconded the motion. Motion passed unanimously. DISCUSSION ITEMS A. Auburn Downtown Park Public Art Project Update Arts Program Supervisor Allison Hyde provides an update on the Downtown Public Art project. The selection committee, comprised of contractors, the landscape architects, and arts commissioners, voted for John Fleming to collaborate with landscape architects and create a unique piece of public art to incorporate in the new development. Hyde provides examples of Fleming's other public art projects in the region, and explains the reason for his selection. B. 2024-25 Sculpture Gallery People's Choice Award Arts Supervisor Allison Hyde announces the people's choice winner for the 2024-25 Sculpture Gallery season, Jill Drllevich's sculpture titled "Balance" with 39 total votes out of 102. ACTION ITEMS A. 2024-25 Sculpture Gallery Purchase Award Arts Supervisor Allison Hyde presents the sculpture options for purchase out of the 2024-25 gallery season. Commissioners were given the option of not purchasing an artwork for the permanent collection from this year's pool. Commissioners, in the interest of saving space for previously purchased artworks, discussed possible locations for sculptures already in our public art collection. Commissioners came to agreement that a sculpture would not be purchased from this year's pool. Motion to not purchase a sculpture made by Commissioner Rocky Salvador, seconded Page 5 of 43 by Commissioner Carol Smetheram. Motion passed unanimously. ADJOURNMENT Meeting is adjourned at 5:17pm. Page 6 of 43 - A ! 1, *IL. ,, 4It 1111111111t ..:10 J....h.„ ,.. • ‘ e It.3- 'A- Irili :,_. .r • •4:4 ,. '4111....... 1:_ 0,,-5,,,,,. 41.• :, -•T ', : ,.._,..11Vii-r dyVir5fikilAtArlior r eV -- 4 .. • i ' I 41 :t.....14.4 of • 0 Jr:rr , .' .1-•4T4 e: ' . . 111! 1.'• ;-f..--ii''.. '... ,- , 1,1. 1. IIII -......_irk . p 4. . ip 4.,•rii.4), *- .-..,. 4.7-4:461'L21 5'. • . . h A., -..,,,., •:_._ _,:- ..-.3.,.....„..,.., ,. •..,..„...,., / . . ; t• 4 ..,• _..,.._ • ;4:'-- g .i. Ilk ic. . . . .0 • ' - •- ..'- ,Ar ).'4',; a.. ,.. ,- lirl*-.:__.-17`:''',,t•:: ......., ' ,:"'::tr .-404,i-r: t.,.• .. ..._ .NO NV • . ) ...TA .• . ''.- ' : '-' _?•••••.F'-.. -; -..› • 1$ '1 . .. , . '- '% 'f2 '- ' `.• ..i16,_ it 1. ,*-: • ' ---- '*- - Iii we, . . ar .. _ . ,Pilli Ii 1 if.--1P ': .40.A' rrr , )114..._„ .. . .. , . Page 7 of 43 Cheryl Sallee Gallery Six shows per year 1 00 � or_ 1 Lq,. _ R :;"..,,,, itiAr '''‘ A ,Ail(jiiiii 1 1 I - . . .. ::il ". .., , it.. '11'::::::!4' ..,. 2.t. ' y.':,, :....--: . . .,.,,,, jr. . ' :. ,/-,.. , ,. . ... -N , . ., ,,,,,, .. : • 1. - ... i ' .. ...•. . . • � � _ � ,a • — .: ' 44T, We received 7o applications for gallery shows in 2026! Page 8 of 43 aura Hoppenjans t -0 Ai ITV ‘A. E I AN/ 1111 Page 9 of 43 IF I Sandra Fenne y 1 .r S 'r ' icy L �•� {1 1. i",f • ` L.. , • �r•l- i� r� • • •` / • r//N..tf' a • . , C �� i1'tl1 'li y } r, , 1, i 't r r Mt ■■■■ n rn `spirl : ■ ■ r*� sir • . • �/j��y,Y i i = }k lrl . • F4 - • Page 10 of 43 a 1 • h. Auburn School District ..,..... 7., .. Student Exhibition 11 Jr Ir- ,,,,.:. ,, :„ + E , I, ., ____, , . , _ , ,, _ F; ''1 tr , . 114 • EL ip_1_1-- 7: ... it 11\:11 Clk I1 ��k a`` P,,: !:1' }gyp L 0 r it lik, -; , ... ,_. „_ ,i_ °Illi . e 4. St 4 III Page 11 of 43 Susan Boye • f �.044 00 J4., lop,. £ . �ito: Ifisi ....i... .. ., nit,_,_, .,... . i ■ '%l. 1s , 104/ am ■ .� e 1 r . 4 fa PA-r%.T zi 0 . sii . , , , yo Fr 11V, i i• I Page 12 of 43 pIr".Ic.i.\44.pC,,,.-I:,1I-44......1....tt,..i..\., ...,....1e-.-"t.,... �. 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Forces Ai i 1 4 _ .._ _,.._ __,,, ,,, ,..,:, (I It:_ , Pr i i and , ' , i 1 . . ..,..,,, . , w . -'-‘, ' ' •''' Rear• '414.. ...I AT ..., _- 1 _ 41P°110 . 1 -_,... ___---------- _ 1 —war 111MINYIK .._ r.. a.1„.._ . _.... , I gip . r , --• _= - Mill .... --•-- 7.- , , • - IP V . ... 4,*!.. 4 1: ...11....../ 1..., , ., = , . 4 a- V,4 • 1.10' 1 -7..1.1.' ,..111 — •• .,. , I.... ..,_ r , ' -'''' Page 24 of 43 Looking for artwork that is SCULPTURAL Dynamic Interesting use of Innovative MATERIALS & FORM Responds to space Eye-catching ! Visually interesting day and night Page 25 of 43 We received . . . • 29 applications • Need to choose 4 artists for Art on Main • Need to choose 4 artists forThe Vault Gallery • Need to have two-three alternates for 2026 Page 26 of 43 I •••• • I .-.„ I . ''•'• • . 0 \•••••.. •' . .. . . , • . . . . , . . 'W:" .........,,.. II b..... litE ,„.,; ,..itet..„.1 . • ,.. ._.: i... ., _ :.,''Rily 11:• gm 't i .,__„:%,,,„L"-;,..`•;•,..1,-ti, .]%! 1:+. .IN i .- •. .'174 ... ...-,..x, - _ ...,:.;:tg. rm:l. ...\. .': ' ' .. tfozi nr•: , ki It • E-----.:3 • '. .....- " -: a514 r ! J-• . . . • . - ive,. _ ......i.. .....:,:-,.. i ... ..... .,. s. '.:1:4 ',7 • ..;.'. P . . II".i.. ..a 34-- . •.. ,-... , I • 4) . TWAIN"! \ 1 ' •'". •.; . ' --1- :-.11.1 -- ' . . , . 111111 1111111111 .,_ . 4 ... . - I .:iLi • • ,±:;'. .- ) All .11 I •••-tr ... 1 1 . • . • ' 1: - • ---, ,. , !I' ..IF ..I. . . . . ... . . • ... 1 F:. _ "r- -• 7: ,. ... ,. ... .---i . • -.- - „.--.6.- grilmatol i• . .1 14. .111 °4 •.„ - . , ...... ..- .11 .. i ..i.v. ,., c..„ . -.. ' I ... .„0 ,....... .... J ;,, . i ie.- - :....-..111. ' r . • le . ;,-..- 1.,,...,10 iir i 1 • .. . ... ... . .. ....,„......„ ...:4,.... - „:„....., . ..... • ....._. 1.. . , ..._ I ._ - j I I I I j-,..I re..'L. ' • 70.'.:--__ . IT ., ir _ • ...-.....-7-r.---r:' a'•..• :.' -..4-.-"v• .-.4. • j" .---,01- II .• •.. . Z Page 27 of 43 4- -e...%--7 kg.:1:-..",.:;•:-..t.,4. 1 . c.. tiov,..•- _.i , s•••• ...-•'. — •••••".- .r.--. Ad" '1 , . • 111111. BayuAngermeyer • My proposal, 'Slug Party', envisions a party of large, vibrant slugs joyously • celebrating together. Five, 2-3 ft long slug sculptures would be installed as f.,---) though they are climbing the walls, leaving sparkly trails behind them while N. __, , refracted disco ball light fills the space. • I'lik\ , • This installation is a playful reminder, encouraging people to slow down and Iii • .akk. enjoy the little pleasures and treasures of life. In this context the 'slugs'(iconic .\ . r, , creatures of the Pacific Northwest) represent a deliberate and mindful slowing down. • The slugs will be made of mixed media (primarily paper-mache,found objects, acrylic paint, protective varnish). Theywill hangon the walls as a painting ,, / le Y � P 9 • would hang, requiring screws or nails to mount them. A disco ball would hang from the ceiling, requiring a screw hook to install. The disco light would come from a rotating lamp that would require access to an electrical outlet. The slug trails will be made from sparkly paper, adhered to the walls by tape, tacks or nails. -age 28 of 43 Had i Finley • The large fantasy sculptures of a woman riding a bird that was on exhibit in LAX has been languishing in my garage. I would like to put it II r 24 on public display and offer it as a donation to a community organization,fundraiser, or 0 4 t j I libl wherever. , .,,,,L, } " r ' '1,,11414 • I have been fascinated with the female form, �;. , h �� spending years practicing with live models and ' I� = , studying anatomy. I have felt great joy in ' a'1 producing figures in which the forms are - ; ,� softened and rounded yet express strength - . __- • Oil � --� • and energy. I have sought to embody my own feelings and experience as a female knowing .--. .,„,:4'. both suppression and empowerment. -age 29 of 43 -� : { • • -ie I Kyle Ocean , . . ii.. . . ,,....,. , 14... 7. " .=-4 .1' -P 1! . . : I lit: : ' . Yi: . ii- 4- : : 71 I II 6 l �'- # •� some sli light modifications, _ ' _ - "` it can change form easily to work with any space rt" weld it together in place at the spot, to really work v : r' 4` _ .. ,,f -: - ;;'' < : ,.•••. within the s ace. it'r r ^x. • yam., wy� S yl i. M i;-•'°r�1:n,,,--° `'� .ti.- y`7 •• 0;1 J .1:117-1-1,rzil:::::::::::11,,,,':::El' G .: ��4�" � �•:�'6.:':'�'::,=Y :�[.�_J1 -i i` i' ' d�Yw��[ .4 - .R: _ -4b111_ � r �:e�. Page 30 of 43 %.� � ,}:. a , - : Maria Olga Meneses • To exhibit textile collages & quilts created from my collection of Japanese vintage textiles of a variety of natural fibers from the l ,..,., ` 197o's that I collected during the time I lived in Okinawa Japan. I ;ke would like to create cultural works similar to Japanese Ukiyo-E prints 3 f _ /r 1..'ra' i s.. r .. a ,.: ,--; ,..:,-- -_,,,,,,,,,,,/, _ -; ,, The pieces will be hanging from dowels r.-- ,. , ..., ,,,e,.7„ ,,,,,-/ ` ``' , , 1 -,. -•:-2.,,, - • - - /, , . installation of replicas of Pre-Columbian 'i �. . it 4Y y- i. 'i i f artifacts found buried throughout Colombia Ir•:.-1 .4,-y i;,; -; F �" ' • ' My plan is to duplicate some of the gold - y. <' ". � `tip:sx�o- Y� � artifacts in old paints painted on textiles that can hangbyfishing • La r UrvM&,r i I. 9 f 9 _ line tied to dowels. N . ,/, a - 410 .-- >,- _ , _, i, Pill Page 31 of 43 , - 'MMO'll IIMIlip,. IFF . . M 1 . —virfeafts •1 r ... .:. ,r •r . --____-_-- . 1.,, _......- I i . ,-__ • .... •-•, -. •, -I_ '7i .'°: - ..,_ . ..•_.. _ .,. ... . - •.., ,..... . .. _ . _ i .. . --.. ---• ..... ., .: . . , . • • ..; . . ...„ 1 _ 11111`. __----- - - .. . .1.120__ — r r . , il Page 32 of 43 Hugo Moro x • The work I envision installing during the 2026 Site-Specific 1111111,°47$411") Arts Galleries in Auburn will consist of a new iteration of my 2021 immersive installation at METHOD Gallery in Seattle, initially titled Garden of the Unconceived. �* Garden of the Unconceived is constructed from dyed and T I • 2, E . f' 1, heat-shaped single-use plastics from water bottles. I will 4ri, q 4� . '� ` "�' install an iteration ofit, similarlyto how it was installed for `.� ... �-�. . .s 0 '' itiik Tacoma Light Trails, as the Auburn windows will allow. .., ; '` -,- ` • In Image 1, you'll see the use oftimed spot-lights to create ,� -..� �x - �. � 9 • - 4! ' large, dramatic projections of the flowers at night. In Lt.9 , ,. r `" video/Image 4, you'll see an iteration in a traditional gallery _ 1, r , ' .; . i li environment. The installation I plan for Auburn may r - combine these two light effects;for that reason, I will ' 7 � '�` require electricity and any light fixtures already in situ. Page 33 of 43 , - "1-.M.,,,, . .„ ..... _ . :,, ,...,.., ....._L_.. -- , • ..„....;. , . Laurie Kailsen - George .,. , o_ .,,,, ..„.,,. . .::.,, • . „., ._ • .,,, ,, ,,....,..„..,-,.... ? .;.‘,...„..„.„.„ _ , .., , ., ...., .., ... .. •-,- ,,,,, ,,,,,, r_ • I propose an installation of glass objects depicting the area �- , • ., _ ;v ,- - t I and lie around Auburn. I would light the installation for _._....., . ..,,,.. ;�� f 9 f. .„-,.:::::-.-- , . •� 4. ' . both day viewing and night. I would love to experiment with f , :Y ►1 slow animating lights and some projections. • =:.:- :,-,-- --,;- •k*.i.. ilegiv44,- 7,.--71.-:_ .'.••;)milL..._ •-,•-...' ; .r74-• `_.- .. . • , • My design is not solidified yet but it would include: Mt •� � __. •.=..•-_ - _ Rainier with foot hills, Sounder Train, Street dancers in . ,- %jo"` � .a fS%If i _ foreground, Heron in pond in foreground. m 1 it ' ' '''l • - -- • .(7 .• • Additional items may include race horses at Emerald Downs , z. 1 ' , and Indian motif wall hangings. All items would have �11, �i xr f �` ," r. x� . handles for hanging incorporated into the designs. x s! '-. .r f 9' 14.,i2 0. - 'It ` - '-J Page 34 of 43 Rachel Milstein 4, „.,,, 4s • The installation would have a standing ceramic sculpture on a` plinth orpedestal surrounded byhand cut paper works that would d,, ,, �. • p P 41,�' �' `,= adorn the plinth/pedestal,floor, and wall, as well as hang down tfi- , -. �� . , - ,� from the ceiling. The ceramic piece itself would be_3-4 feet tall, ' ',:.:.;-:,:wir IC L',' :,/h4-r. ',' .,_le ,>.. �� created from porcelain, and resemble an abstracted vessel. The -; ; ; vessel would have dried flowers and small paper sculptures inside, • .. => ` • - - akin to a bouquet. The ceramic piece itself will be glazed and have r encaustic wax on its surface. Hung on the wall behind the ceramic .‘- it c - Nit, . , .:.,...•..- 5,.• r and paper work would be a gouache and encaustic wax painting ;•:. " 1 V with more paper components incorporated that would hang down , from the piece. I hope that this intersection of surfaces and mediums would create an ethereal space full of juxtaposing qualities that feels like the components are growing from the walls, ceiling, and floors. Page 35 of 43 _ _...� - Reed Peck- Kris ,. . ._ -_ = • I am proposing a sculptural installation made from several pieces < � _ of forged,formed, and polished aluminum plate. The textures of F � _ rr• •, �g .4. a the pieces are designed to create the effect of light refracted through shallow water, onto footsteps in sand. I have included a , -..--' ........ 'lot ,..0.1tviiiv., 1 N sample piece from when I made the texture tools and footstep r stamps in my ort olio. These pieces would be suspended through - ';r' ,�• : .n the gallery space, creating the sense of a long and winding path _ - ..: followed by an invisible figure. This, combined with the way the ,�--- !, textured and polished aluminum captures and reflects the light, invites the viewer to follow along, and contemplate their own path through space and time. Page 36 of 43 L 1 1 21 � -a.....- I Jo '.5 f. . p f 1 i I `tiffs _.. , ‘ _ ' V 1 1.,,,,,,, itlit. :,;‘''''‘•-•:'''7.1.."k:\''''k!''''''.:.'... . . 140 A/ ,.A*On ..;:i ,,.i.1'."1,...'... I., i -iv. r MI ...:0,.. 4 ° ,9 g4W .'..,... 7-,i...,:'A,:r a,!•r ffit , .. 'tb T Pi „..... ,,,...„ ,.,,,t, , Chr Ha ne r yq r ''k ' Forces G I� � i and y;i � : �k--�' y' , - • op I r ReacIR ? r a ' fit• IT oN Ali - Page 37 of 43 Mychelle Moritz , / • This proposal is to create an installation of work that is focused on community and a sense of identity through ' ' . I connection. It uses clothes as a symbol of personal expression -� � `, and a clothesline toprovide a sense ofconnection. My ` ', f "�_ proposal for this call is to create a series of life sized ceramic ` clothing items, to resemble clothing from residents in Auburn, ) :2.; WA. I would like to engage residents of Auburn to submit a picture of an article of clothing that expresses their identity, A"Ithen I will recreate pieces in ceramic form. Alternately, I can ii alsi _„ o create pieces based on industry workwear, historical wear, or any meaningful clothing theme. It is a collaborative process, and the intent of the installation is to honor the residents of the city. Page 38 of 43 mil Thendara Kida - G , • Breaking out of the frame is a collaborative installation piece uniting mother and daughter artists for the first time on a public scale. Talula (daughter) will be providing the back `•fit*Adi . R. : ground- which will be a large printed landscape that will roll down and consume the back wall whilst Thendara (mother) • ,vt - will be creating hundreds of mini sculptures representing the k : 1.4-t- . foreground emerging from the canvas. The large scale • z � �- .- background will hang from ceiling down wall and sculptural arraywill be arranged atfront, so a relativelyclean install. g c . 4t 11.4... -74,TMA • The background landscape will be one made up of an array of triangles which will inhabit the foreground as pyramids matching the color scheme of the foreground of the work. .ge 39 of 43 Roark Congdon THE L H VAULT Roark Congdon • The Color Vault is a modular, three-dimensional Auburn Vau! } sculpture composed of laser-cut, multi-colored acrylic __ . - • panels reinforced by a plywood frame. These translucent • panels are designed to interlock,forming a self- '' N :'A: supporting structure that resembles a cluster of s„ " .r r�.�mrr geometric blossoms or crystalline growths. The shapes ' - will rise from the floor and expand outward, catching r 4 and refracting sunlight during the day while becoming . b _ illuminated from within at night through a subtle _ system of timed LED lights. This interplay of natural and ' I artificial light will allow the work to transform • ', prcd1tFrr•wrungalCrwp{ Car d6gerd$Grdx+and Preir ypna irsrefFOONMVPIWOC4RIXRS continuously across the 24-hour cycle, ensuring it remains vibrant, surprising, and alive for viewers passing by at any time. .ge 40 of 43 •n .. ." ' t , - Kell/ I-IaejungFaik i r F s h � ' • I propose a site-responsive installation that unites a glowing �- ' 'a 1, ` f sculptural vessel with a series of moon jar paintings. Together they .• ' create a dialogue between tradition and contemporary abstraction, a s - transforming the storefront or gallery into a luminous space of . _ ( reflection and wonder. At the center will be a seven foot vessel inspired by Korean moon i ( `- , f t jars. Its lower portion, grounded in traditional form, will be partially .` L ' 11 _ 1 filled with hand folded translucent origami boxes—symbols of containment, memory, and offering. From this base, rods rise into a -' 44 contemporary variation where suspended acrylic discs catch and 1 ' - refract light 4 ". • Behind the sculpture, moon jar paintings will extend the theme. .ge 41 of 43 . . Cam Smith - - i , • My work "Swarm" is an interactive digital portrait that captures the faces of everyone who looks at it, blending and merging their faces into a constantly evolving collage. e • Swarm consists of a television screen mounted inside a picture , frame disguised as a portrait. In the top of the portrait is a subtle F camera lens, where a computer mounted to the back of the portrait snaps photos of guests. I use AI to identify faces, align, and merge { i II them, creative a ghostly, engaging, creepy, and weird experience as the collective consciousness of a place is samples and reproduced. i • Swarm is a reflection of the way that technology companies create "digital composites" of their users, hallucinating people who do not exist in reality in their attempts to understand and ultimately profit from their clients. .ge42of43 Page 43 of 43